The Projects: The Essential 90s Albums, #25-21

By The S&N Staff. There may be some generational bias at play here, but the 90s just might’ve been the peak of the album experience. In that gap in time between the MTV and radio dominance of the 80s and the Napster and iTunes takeover of the 2000s came a wave of rock and hip-hop artists who saw music as more than just a collection of singles. Whether fueled by nostalgia for the classic rock era of the concept LP, or a reflexive cynicism of “selling out,” these artists had ambitions toward a higher level of creativity. Continue reading

The Historian: Masters Of The B-Side

PicCollageBy Spencer. In today’s day of single-song iTunes downloads, the B-side is something of an archaic institution. Strictly speaking, “B-side” once referred to the extra tracks that would be packaged onto a single, and distinguished such songs from the “A-sides” that comprised the single itself. Today, we don’t really package singles that way, so the closest analog is an EP track—but we’re going to start running out of letters if this keeps up. So when I refer to B-sides, I’m going to depart with the conventional nomenclature a bit and loosely include any of an artist’s songs that did not appear on a proper album—so pure singles, along with tracks appearing on EPs, soundtracks, and compilations, and even unreleased or bootleg rarities that make their way onto the internet. These are the songs that, for whatever reason, the artist holds back from the album; maybe they just aren’t as good, maybe they were recorded at a standalone studio session, or maybe they just didn’t fit in with the rest of the album’s aesthetic. There’s an automatic tendency to assume that these songs are inferior to the rest of an artist’s output. And that’s what I’m here to dispel. Because there have always been a few artists who take the B-side a little more seriously, and a deeper look at their B-sides will reveal some of their most rewarding or unique work. Continue reading