The Projects: The Essential 90s Albums, #5-1


By The S&N Staff. All things must end. And even though it took almost as long to count down our favorite albums of the 90s as it did to actually make it through the 90s, we’re finally ready to give you our top five. While it should come as no surprise that bands like Nirvana and Radiohead top out our list, you just may be surprised at which order they placed once the final votes were tallied. Continue reading

The Projects: The Essential 90s Albums, #10-6

flannel2By The S&N Staff. Over the past few months, S&N has been counting down our list of the essential 90s albums. So far, we’ve seen historic albums from Nine Inch Nails, Biggie, Green Day, Beastie Boys, Counting Crows, Rage Against The Machine, Oasis, and plenty of others. Today, we finally reach the top 10, and it should comes as no surprise that there’s hip-hop, nerd rock, and of course, plenty of grunge. We start with a band better known for their 80s output—and a 1992 masterpiece that may (or may not) be their best work. Continue reading

The Projects: The Essential 90s Albums, #25-21

By The S&N Staff. There may be some generational bias at play here, but the 90s just might’ve been the peak of the album experience. In that gap in time between the MTV and radio dominance of the 80s and the Napster and iTunes takeover of the 2000s came a wave of rock and hip-hop artists who saw music as more than just a collection of singles. Whether fueled by nostalgia for the classic rock era of the concept LP, or a reflexive cynicism of “selling out,” these artists had ambitions toward a higher level of creativity. Continue reading

The Stagediver: The 2014 Buckle Up Music Festival, Cincinnati, OH


By Jeremy. “That’s what I think country music sounds like, Jason Aldean, and you can tell him that I said that!”

This was the proclamation of Ketch Secor, co-founder of the Old Crow Medicine Show, near the end of their one-hour set at the first annual Buckle Up Music Festival. On this evening it was a tale of two cities, or rather a tale of two countries – music that is. At its home on Pete Rose Way, The Great American Ballpark was hosting contemporary country music stars Jason Aldean, Miranda Lambert, and the Florida Georgia Line. And a few blocks away from that, hugging the banks of the Ohio River, Sawyer Point Park served as the backdrop for a three-day festival celebrating a different kind of country music. While only a short walk separated these venues, an apparent schism existed between the mass popularity of country-pop and the diverse representation of the Buckle Up Music Festival. Continue reading