By Spencer Davis. Time for another vinyl time capsule in our continuing series, The Vintage Collector. I’m making my picks for the essential classic albums you need in your vinyl collection. This time, we’re doing barroom piano ballads, proto-hair metal, sultry lounge standards, soul/blues fusion, and a lost album from a titan of jazz. Continue reading
The Vintage Collector
The Projects: The Vintage Collector, Vol. 5
By Spencer Davis. Time to pick back up where we left off with The Vintage Collector, our continuing series on the overlooked throwback records you need to add to your vinyl (or digital) collection. This edition highlights a team-up of jazz titans, plus some innovative punk pioneers, a progressive French provocateur, a delta blues legend, and a classic rock name you might not know—but ought to sound plenty familiar. Continue reading
The Projects: The Vintage Collector, Vol. 4
By Spencer. It’s a good week to focus on simpler times, so we continue our series on the essential vinyl albums with a look at a couple of guitar gods from very different eras; Kurt Cobain’s favorite Depression-era icon; the godmother of punk; and a team-up of the two greatest drummers of all time. Continue reading
The Projects: The Vintage Collector, Vol. 3
By Spencer. Seems like a good time to revisit The Vintage Collector: our picks for the essential classic albums you need in your vinyl collection (or just your digital library). Today, we’ve got French jazz guitar, proto-punk, sultry lounge music, rockin’ blues, and one of the strangest jazz/symphony hybrids ever recorded. Continue reading
The Projects: The Vintage Collector, Vol. 2
By Spencer. Continuing with our series on the essential albums to add to your vintage vinyl collection—or just your digital collection if you’re still clinging to modernity—we’re looking at classic records from jazz greats, blues legends, prog rock innovators, and the original grandfathers of metal. Continue reading
The Projects: The Vintage Collector, Vol. 1
By Spencer. Last year, I became part of the problem. After years of rolling my eyes at them, I’m now one of those assholes who buys records on vinyl. Naturally, such a complete reversal of everything a man stands for could have only one explanation: it happened because of a girl. But while that quirky hipster artiste is long since out of my life, the way I listen to music is forever changed thanks to the phenomenal sound I heard from her record player one night. A few notes of Otis Redding through a proper turntable and speakers and I was hooked. So when I finally threw down the $300 for an Audio-Technica phonograph and started spending $20 a piece for albums I already owned in digital form, it made complete sense that I started with mostly vintage artists—Redding, Miles, Coltrane, Sinatra, The Beatles, Led Zep. Because as my record collection quickly expanded, I learned the first rule of vinyl is this: if it was recorded during the era when vinyl was still the predominant musical format, it really does sound better on vinyl. Continue reading