The Year In Music 2018: Antony’s Picks

By Antony Lyon. Last year, my music listening habits surprised me; now I suspect they heralded the new normal. I make a lot of playlists – thirteen this year by my count. I enjoy the deliberate process of making a soundtrack for the moment, and I spent a lot of my listening time putting them together. My two most-spun albums this year were not from 2018. One was U2’s Songs Of Experience, which is a late 2017 album. Predictably, I listened to it a lot. As with any old friend, I (almost) forgive its flaws and only hear its virtues. As I said last year, it’s not an album that will convert late-period-U2 skeptics, but for the believers among us, it deepens a great band’s legacy. By a mile, my most-spun album is Teenage Fanclub’s Songs From Northern Britain. This 1998 album, a pastoral folk-rock exploration emerging from the Scottish Highlands, received a lovely polishing with a new remaster this year. This remastered edition coincided with a moment in my life, and now the album occupies one of those mystical spaces for me. I’m destined to listen to it on a walk in the Highlands and to weep like a child. I can’t wait. Continue reading

The Year In Music 2018: Spencer’s Picks

By Spencer Davis. Typically, great art is borne of terrible times. So in these days when hate is rising everywhere, days when some are questioning the decline of democracy itself, you’d expect that “serious” music—particularly music with a strongly political bent—would be experiencing a renaissance. Yet it’s confounding that two years into this critical juncture in history, we’re seeing so little music that speaks to the moment, that provides a vital commentary on the state of our union comparable to the creative explosion of the 1960s or the literary revolution of the interwar period. Music is still searching for a way to do something new, and the best answer anyone’s come up with so far is to cross-pollinate genres or historical influences in a way that aspires to accomplish a seamless new blend—hopefully obscuring the fact that there’s nothing truly new or original about it.

But while my 2017 list bemoaned a particularly weak crop, I’m happy to say that in 2018, the road is curving back in the right direction. And there are even signs that maybe, just maybe, this historical moment of ours could be on the cusp of sparking the next great creative explosion. My hope begins with this year’s brilliant new evolutionary leap from Leon Bridges. Continue reading

The Projects: Still More Horror Flicks That Don’t Suck

By Spencer Davis. Every year, I give you a new batch of overlooked Halloween movies to get you through the night—or if I’ve done my job properly, keep you awake through it—and this year, we go in some new directions. Some might say the world we live in right now is scary enough! And yet it’s perhaps no coincidence that the past two years have brought horror into a new era of acclaim, with hits like Get Out and A Quiet Place being named as serious awards contenders. Even the remake business is being taken a lot more seriously, with bold new visions of Halloween and Suspiria taking over the theaters and proving themselves to be more than cheap cash grabs. But if, like me, you think the best place to seek out your scares is in the darkness of your own living room, then enjoy these under-the-radar film frights. Continue reading

The Contrarian: An Ingenious Solution To The Oscars’ Popular Film Problem


By Spencer Davis. I can trace the exact moment I fell in love with the Fast & Furious franchise to a particular scene in Fast Five. A friend of mine, already indoctrinated in the idiotic joys of the series, suggested we catch the midnight showing on opening night. It was an idea just stupid enough to be brilliant! About half an hour in, there’s a chase scene that culminates in Paul Walker and Vin Diesel going over the edge of a cliff in a Corvette convertible, climbing onto the trunk of the car in midair … and with perfect timing, leaping safely into a river just before impact. As this all unfolded in glorious slow-motion, someone in the audience shouted, “Academy Award!!!!” and the entire theater erupted in laughter. I was sold for life.

If you heard yesterday’s announcement that the Oscars will be unveiling a new category, Best Popular Film, then you probably know why I bring this up. Everyone knows the impetus for this is the telecast’s spiraling ratings, and the best and the brightest minds at the Academy have apparently decided that the way to pull viewers back in is with a shorter, 3-hour show and a new category dedicated to the shitty blockbusters that make all the money.

I have a modest counter-proposal: NOMINATE BETTER FUCKING MOVIES. Continue reading

The Year In Movies 2017: Spencer’s Picks

By Spencer Davis. In the four years since Shadows & Noise launched, my year-end film picks have been all over the map: a heartfelt coming-of-age drama, a sci-fi think piece, a classic Hollywood musical. That kind of schizophrenia isn’t just a function of diverse tastes; it’s a sign of the scattershot directions in which film has been evolving in the past half-decade. With streaming supplanting the theater as our preferred way of watching, with Netflix and Amazon now acting as movie studios in their own right, and with the quality line between television and movies so blurred now that we might as well just call it all “film,” we’re at an inflection point in the history of the moving picture. Indeed, in 2017, we’re finally seeing film critics include shows like The Handmaid’s Tale, Twin Peaks: The Return, and even Ken Burns’s The Vietnam War on their year-end movie lists. But while I could easily list the likes of Legion or Mr. Robot here—shows that are every bit as cinematic and structurally innovative as anything on the big screen—I’m still limiting my picks to movies for just one reason: the difficulty of making meaningful comparisons between a finite film and a television show that is still an ongoing work in progress. It wouldn’t seem fair to list a show here that might, before it’s all over, take a major nose dive. But make no mistake, film and TV now bear equal claim to the mantle of creative greatness. So without losing sight of that, here are the twelve movies that defined my 2017. Continue reading