By Spencer Davis. For a kid whose love of rock music was originally sparked by the early 90s grunge movement, seeing Pearl Jam’s recent induction into the Rock And Roll Hall Of Fame was an odd sort of milestone in my own musical journey. Standing there together on stage, trying to find words to capture what the moment meant to their music and to their own personal lives, you could almost see Eddie Vedder, Mike McCready, Jeff Ament, Stone Gossard, and Matt Cameron—along with original drummer Dave Krusen!—mentally struggling to grasp the enormity of the past 25 years. There was a childlike shock at being there, as if their adult selves were momentarily jettisoned and replaced with six naive, energetic, swaggering kids from 1991. And from that perspective, the whole thing was no doubt impossible to compute.
But watching on the television, knowing as we do know that, as this was filmed, the world was just weeks away from losing yet another legendary Seattle frontman in Chris Cornell, the induction of Pearl Jam took on a wholly different kind of historical relevance. With so many of their grunge-era contemporaries—Soundgarden, Nirvana, Alice In Chains, Stone Temple Pilots—lost or fundamentally altered by premature death, and so many others rendered defunct by eternal squabbling, lineup changes, or on-again, off-again breakups, Pearl Jam is now the last band standing. And there’s a monumental lesson in that about the nature of fame, creativity, and indeed life—either as musicians or just as people. Continue reading
By The S&N Staff. Over the past few months, S&N has been counting down our list of the essential 90s albums. So far, we’ve seen historic albums from Nine Inch Nails, Biggie, Green Day, Beastie Boys, Counting Crows, Rage Against The Machine, Oasis, and plenty of others. Today, we finally reach the top 10, and it should comes as no surprise that there’s hip-hop, nerd rock, and of course, plenty of grunge. We start with a band better known for their 80s output—and a 1992 masterpiece that may (or may not) be their best work. Continue reading
By Spencer. In today’s day of single-song iTunes downloads, the B-side is something of an archaic institution. Strictly speaking, “B-side” once referred to the extra tracks that would be packaged onto a single, and distinguished such songs from the “A-sides” that comprised the single itself. Today, we don’t really package singles that way, so the closest analog is an EP track—but we’re going to start running out of letters if this keeps up. So when I refer to B-sides, I’m going to depart with the conventional nomenclature a bit and loosely include any of an artist’s songs that did not appear on a proper album—so pure singles, along with tracks appearing on EPs, soundtracks, and compilations, and even unreleased or bootleg rarities that make their way onto the internet. These are the songs that, for whatever reason, the artist holds back from the album; maybe they just aren’t as good, maybe they were recorded at a standalone studio session, or maybe they just didn’t fit in with the rest of the album’s aesthetic. There’s an automatic tendency to assume that these songs are inferior to the rest of an artist’s output. And that’s what I’m here to dispel. Because there have always been a few artists who take the B-side a little more seriously, and a deeper look at their B-sides will reveal some of their most rewarding or unique work. Continue reading