By Antony. The world only stops for Adele. When most artists release an album, it disperses across various media outlets, climbs the iTunes download chart, and then, more than likely, disappears into the informational oblivion of the internet. Even a band as big as Coldplay is at risk of this happening to them.
Even as we continue turning art into information-packets, I knew the release of Coldplay’s A Head Full Of Dreams would be for me a small community event. The very same internet that destroys history also enables one to keep in touch with friends near and far. As I put on the new Coldplay on Friday, December 4th, I imagined three of my friends doing the same wherever they are. Continue reading →
By Spencer. Neither band was supposed to get this big. When Coldplay started out, they were Radiohead Lite, with maybe a dash of U2’s soaring theatrics. When the Black Keys started out, they were just another in a long line of garage bands; even their name suggested a White Stripes ripoff. Since then, they’ve each taken their turn as the biggest band on the planet, and (some would say) they’ve both lost their edge.
Now they’re both back with new albums: Coldplay’s Ghost Stories and the Black Keys’ Turn Blue. Do the titles suggest a certain defensiveness – an acknowledgment of sorts that their reputations are in decay? Or are they flipping a sarcastic middle finger at the critics who may have prematurely written them off? Continue reading →