By Antony. When in doubt, begin where you began. I set out to familiarize myself with Glen Hansard’s work with The Frames and The Swell Season because I fell in love with his 2012 solo album Rhythm And Repose. Of course that was about two years ago, and I did nothing. The catalyst for finally doing it was that I saw Glen Hansard at the Hollywood Bowl a few weeks ago. He and his large band—about a dozen people—were fantastic. He overflowed with joy and gratitude, and his storytelling was absolutely charming. In fact, my only complaint was that some backstage miscommunication truncated Hansard’s set—though with a flash of Irish rebellion, he played nearly 30 minutes past curfew.
So in the afterglow of the show, I found the motivation to give some time to one of the finest folk musicians working today. What follows is what I’ve learned. Fair warning: I’m sure my list is heretical to any longtime Hansard follower and that doesn’t bother me one bit. Continue reading