By Spencer. This is a website that celebrates both movies and music, so you know an article like this was inevitable. In revisiting our ongoing Movies That Don’t Suck series, it seems like the perfect time to look at the movie musical—the bane of the true music fan’s existence. Maybe our generation has such trouble accepting the musical because we were the first to be raised with movies that actually aspired toward realism—and there’s nothing realistic about spontaneously breaking out into song. But for the first half-century of filmmaking, the musical was Hollywood’s go-to crowdpleaser. And you don’t have to look beyond Bollywood to see that, even today, other cultures don’t share the modern American disdain for this genre. Continue reading
By Antony. When in doubt, begin where you began. I set out to familiarize myself with Glen Hansard’s work with The Frames and The Swell Season because I fell in love with his 2012 solo album Rhythm And Repose. Of course that was about two years ago, and I did nothing. The catalyst for finally doing it was that I saw Glen Hansard at the Hollywood Bowl a few weeks ago. He and his large band—about a dozen people—were fantastic. He overflowed with joy and gratitude, and his storytelling was absolutely charming. In fact, my only complaint was that some backstage miscommunication truncated Hansard’s set—though with a flash of Irish rebellion, he played nearly 30 minutes past curfew.
So in the afterglow of the show, I found the motivation to give some time to one of the finest folk musicians working today. What follows is what I’ve learned. Fair warning: I’m sure my list is heretical to any longtime Hansard follower and that doesn’t bother me one bit. Continue reading