By Spencer Davis. Time to pick back up where we left off with The Vintage Collector, our continuing series on the overlooked throwback records you need to add to your vinyl (or digital) collection. This edition highlights a team-up of jazz titans, plus some innovative punk pioneers, a progressive French provocateur, a delta blues legend, and a classic rock name you might not know—but ought to sound plenty familiar. Continue reading
By Nicole Funari & Spencer Davis. In the latest edition of the Movies That Matter podcast, Nicole and I discuss writer/director Mike Mills’s latest film, 20th Century Women, starring Annette Benning as the single mother of a teenage son in 1979 who enlists the help of the jaded teenage girl he loves (Elle Fanning), an artistic punk rock photographer (Greta Gerwig), and a quiet hippie handyman (Billy Crudup) to teach him the ways of women, men, and life. It’s an ambitious movie that’s rife with big questions about the gender roles we impose on one another and the inability to connect across generations, and as Nicole and I agree, it only partly succeeds in meeting those ambitions. We talk about that and plenty more, from the “end of men” to online dating to the status of marriage and divorce in America today. You can download the podcast here or via iTunes.
By The S&N Staff. Once again, a group of S&N contributors—Hendricks, Mark, Biff, and myself—have voted on our favorite songs of 2016, and we present them to you here as a Spotify playlist for your streaming pleasure. In a year where politics dominated everything, it shouldn’t be surprising that a number of the songs we picked delve into that theme. But it’s still satisfying, nonetheless, to see that two of the most powerful political statements of the year came from A Tribe Called Quest and Drive-By Truckers. To hear East Coast hip-hop and Southern country rock come together on common ground like that speaks to the incredible bridging potential of music, and maybe offers a little hope about our ability to start a meaningful conversation that connects us despite our deep cultural divides. And there’s plenty more here, too, from S&N favorites like Hiss Golden Messenger and Blood Orange and The Range to some under-the-radar artists who deserve far more of our attention, like Lucy Dacus, Pinegrove, Hinds, and Chairlift. Enjoy, and happy holidays! Continue reading
By Spencer. For those who love our movie coverage but think there’s way too much reading involved, you’re in luck. This week, all you have to do is listen! I’m guest hosting the latest edition of the movie podcast, Movies That Matter, which focuses on “films going above and beyond the call of box office returns to boldly explore a social issue affecting people’s lives.” On this edition, host Nicole Funari and I share a wide-ranging conversation on this month’s surprise art-house sci-fi hit, Arrival, starring Amy Adams, Jeremy Renner, and Forest Whitaker, and directed by Denis Villenueve (Prisoners, Sicario). It’s a movie full of big ideas about communication, the nature of time, grief, and the things that bring us together as human beings. And naturally, we couldn’t help but get into a little political conversation as well, with some of the film’s themes proving timely in the wake of an election that exposed deep failures of communication between red and blue America. You can download the podcast here or via iTunes. And stay tuned to Movies That Matter, because they’ll be bringing in a number of other guest hosts over the coming weeks to explore some of the best year-end Oscar fare.
By Spencer. Picking up where we left off with our series on the most iconic uses of music on film, many of today’s picks use song to play with reality, spanning the gap from indie musical to surrealistic nightmare and looking at masters of the form like Tarantino, Lynch, Anderson, and Hitchcock. Continue reading
By Spencer. It’s a good week to focus on simpler times, so we continue our series on the essential vinyl albums with a look at a couple of guitar gods from very different eras; Kurt Cobain’s favorite Depression-era icon; the godmother of punk; and a team-up of the two greatest drummers of all time. Continue reading
By Spencer. If you hate costume parties as much as I do, then you’re probably in need of a few quality scary movies to watch on Halloween night after the trick-or-treaters are gone. Last year, I gave you a few of my favorite lesser known options, from It Follows to Suspiria to The House Of The Devil to A Girl Walks Home Alone At Night. And if you haven’t watched all of those yet, you’re making a grave mistake. But if you’re looking for even more horror flicks that don’t suck, then fear not, because I’ve dug up a few more—headlined by Sundance 2016’s haunting indie horror breakthrough, The Witch. Continue reading