By Spencer Davis. Every year, I give you a new batch of overlooked Halloween movies to get you through the night—or if I’ve done my job properly, keep you awake through it—and this year, we go in some new directions. Some might say the world we live in right now is scary enough! And yet it’s perhaps no coincidence that the past two years have brought horror into a new era of acclaim, with hits like Get Out and A Quiet Place being named as serious awards contenders. Even the remake business is being taken a lot more seriously, with bold new visions of Halloween and Suspiria taking over the theaters and proving themselves to be more than cheap cash grabs. But if, like me, you think the best place to seek out your scares is in the darkness of your own living room, then enjoy these under-the-radar film frights. Continue reading
By Spencer Davis. Time for another vinyl time capsule in our continuing series, The Vintage Collector. I’m making my picks for the essential classic albums you need in your vinyl collection. This time, we’re doing barroom piano ballads, proto-hair metal, sultry lounge standards, soul/blues fusion, and a lost album from a titan of jazz. Continue reading
By Spencer Davis. This is always one of my favorite columns to write every year, because October horror movies are like the gateway to fall for me. It starts getting dark a little earlier each night, and with Halloween around the corner, there’s no more perfect way to enjoy that darkness than with a good scare. And sure, in a year where horror movies like Get Out and It are dominating the box office—and even earning Oscar buzz—there’s no shortage of great options out there. But once you’re done with all of the more obvious choices, take a dive into the deep cuts with these underrated and sometimes forgotten screen terrors. Continue reading
By Nicole Funari & Spencer Davis. In the latest edition of the Movies That Matter podcast, we discuss the critically-acclaimed World War II film, Dunkirk, from director Christopher Nolan (The Dark Knight, Inception, Interstellar). It’s a decidedly unconventional summer blockbuster; though the subject matter and the production values put it squarely into Oscar bait territory, it plays like an action movie or even a disaster flick. Nolan’s pedigree as the thinking person’s crowdpleaser of choice make him the perfect filmmaker to tackle this topic, and he once again plays his usual tricks with time, utilizing a complex intersection of three different timelines to reframe the narrative on the key theme of cooperation in a time of crisis. The result is perhaps the first truly modern war picture—a complete stylistic break with the past. And the movie raises fascinating questions about how our history is written, how we talk about the virtues of military service and heroism, and the basic value of human lives during times that sacrifice them so cheaply. You can download the podcast here or via iTunes.
By Spencer Davis. One of the appeals of exploring foreign cinema is seeing how filmmakers from other countries are free to entertain story ideas that would never get the green light in Hollywood. It’s not necessarily that foreign directors are given more leeway to take risks; it’s that a plot device that seems absurd to us may, in the eyes of another culture, make total sense. With that in mind, let’s look at five more pictures from around the globe that redefine the boundaries of what movies can do. Continue reading
By Spencer Davis. Yes, there will be subtitles. That’s the first hurdle you need to overcome when opening your mind to foreign film. But trust me, it’s worth it. You see, when you’ve only watched Hollywood movies, you unknowingly—through sheer repetition—become conditioned to believe that movies have to look and sound and feel a certain way. But popular art is influenced in all these subtle little ways by the culture that produces it. And just as there are distinctive stylistic differences between, say, American and British literature, or Italian and German opera, or even Japanese and Chinese food, the movie repertoire of a particular country takes on its own unique essence, flavored by the language and the history and the cultural values of the people who made it. That’s the magic of exploring foreign film: discovering how something so familiar as the American movie experience can, in new hands, become fresh and provocative and unexpected. Continue reading
By Spencer Davis. Today in our continuing series on the most iconic uses of music in film, we look at two recent transformative illustrations of the music-writing process, along with a small piece of Hollywood history, a slice of brilliant visual comedy, a brief musical interlude in war, and a tribute to a recently-lost icon. Continue reading