By Spencer Davis. Time to pick back up where we left off with The Vintage Collector, our continuing series on the overlooked throwback records you need to add to your vinyl (or digital) collection. This edition highlights a team-up of jazz titans, plus some innovative punk pioneers, a progressive French provocateur, a delta blues legend, and a classic rock name you might not know—but ought to sound plenty familiar. Continue reading
By Spencer Davis. In a lot of ways, this year’s Oscars figure to tease out the divide in taste that I examined in my Best of 2016 list: between movies that focus on grand visual spectacle and ones that prefer a more intimate, character-based approach. The battle between La La Land and Moonlight is one that is largely subjective, asking you to choose between films that are so different in their end goals that meaningful comparison is impossible. Which one you choose says more about the person you are than it does about the respective merits of the two films. And whichever film ends up taking home the Oscar won’t truly have claim to being the “best picture” in the long run; it will just be the one that struck the right nerve at this particular moment in time. Continue reading
By Spencer Davis. You thought I got it all out of my system last time? HA! Apparently you don’t know me at all, because while the hate I rained down on Frank Ocean, Sufjan Stevens, Beach House, and The Cure was impressive—and despite what you might’ve read in the comments section, totally warranted—there’s plenty more where that came from. So sit back and let me explain why a few more of the so-called artists that Pitchfork and All Songs Considered keep conning you into appreciating are, if you’re really being honest with yourself, stains on the very soul of humanity. Continue reading
By Spencer Davis. January saw a number of new releases from acts facing an identity crisis. The xx (pictured above), Cloud Nothings, Japandroids, and Run The Jewels each come into their third album with the need to refresh their sound or risk becoming stale. What’s fascinating is how they each manage to thread the needle and find ways to say something new without ever abandoning their core. Continue reading
By Nicole Funari & Spencer Davis. In the latest edition of the Movies That Matter podcast, Nicole and I discuss writer/director Mike Mills’s latest film, 20th Century Women, starring Annette Benning as the single mother of a teenage son in 1979 who enlists the help of the jaded teenage girl he loves (Elle Fanning), an artistic punk rock photographer (Greta Gerwig), and a quiet hippie handyman (Billy Crudup) to teach him the ways of women, men, and life. It’s an ambitious movie that’s rife with big questions about the gender roles we impose on one another and the inability to connect across generations, and as Nicole and I agree, it only partly succeeds in meeting those ambitions. We talk about that and plenty more, from the “end of men” to online dating to the status of marriage and divorce in America today. You can download the podcast here or via iTunes.
[Editor’s Note: Nicole Funari, who hosts the Movie That Matters podcast, was kind enough to let us post this latest mix from her Badges & Wristbands Records project, in which she visits the many under-the-radar music festivals out there and compiles a mix of the best unknown artists she discovers].
By Nicole Funari. I am a veteran of the multi-venue, multi-day music festival. Each time I attend, I get a sense of place along with an abundant supply of music. The first thing I learned about Reykjavik was that turning the left tap brings pure, cold, mineral-laden spring water, and turning the right tap brings naturally hot, slightly malodorous, geothermal water. It seems appropriate that this tiny island nation bent on being a humanist utopia should have free healthful water to drink and to heat it streets and houses. It has a similarly wide and deep social safety net so effective that Icelanders no longer have the concept of a broken home. Icelanders are proud of their Viking heritage despite being a peaceful, progressive people who believe in elves. Perhaps that’s why their music is both mellow and digital. Two things I hate. Continue reading
By Spencer. While there’s been an unsurprising amount of consensus about 2016’s best music, this year’s slate of movies asks you to make some hard and very personal decisions about what exactly takes a film to the point of greatness. Do you care about first and foremost about the story? The acting? The direction? Is it bold innovation or flawless execution that moves you? Does it have to make a statement, or can it simply revel in quiet humanity? While smaller, more intimate films like Manchester By The Sea, Moonlight, and Toni Erdmann have their fierce advocates among the critics, there’s another kind of picture that achieves greatness by going for broke on the magic of cinema itself—a place where impossible fantasies can be given sight and where we can delight in the color and framing of an exquisite series of images that transcend the mundane details of what we call ordinary life. This year, it was a film of this type, a film where dreams constantly intruded upon the real world, that ultimately captured both my heart and my mind—and that film was La La Land. Continue reading