The Mixologist: Remain/Rewind

By Spencer Davis. Been taking a bit of a break lately, but don’t worry—S&N isn’t going anywhere! And what better way to come back after a recharge than with a brand new S&N mix? Well, I say “brand new,” but as you’ll see with this batch of tunes, newness can be relative. Because while these songs all come from 2017 releases, you’ll notice an obvious theme: they make what’s new sound old again. Tapping into a vibe that’s distinctly 80s, these artists skirt that creative line between looking back and moving forward. And they prove it’s not so much a line as a spectrum. Continue reading

The Projects: Foreign Films That Don’t Suck

 
By Spencer Davis. Yes, there will be subtitles. That’s the first hurdle you need to overcome when opening your mind to foreign film. But trust me, it’s worth it. You see, when you’ve only watched Hollywood movies, you unknowingly—through sheer repetition—become conditioned to believe that movies have to look and sound and feel a certain way. But popular art is influenced in all these subtle little ways by the culture that produces it. And just as there are distinctive stylistic differences between, say, American and British literature, or Italian and German opera, or even Japanese and Chinese food, the movie repertoire of a particular country takes on its own unique essence, flavored by the language and the history and the cultural values of the people who made it. That’s the magic of exploring foreign film: discovering how something so familiar as the American movie experience can, in new hands, become fresh and provocative and unexpected. Continue reading

The Consumer: Late Winter Picks

By Spencer Davis. Longtime readers of S&N might notice a surprising name missing from this edition of The Consumer: Ryan Adams. His latest, Prisoner, dropped last month, but I’m sad to say I can’t recommend it. Continuing in the vein of 80s power rock that he explored on his 2014 self-titled album, Adams can still pen a great song almost effortlessly—and having heard a few of Prisoner‘s tracks during his live acoustic tour last year, I can confirm that there are some great songs hiding here. But they’re buried under lackluster production and a muddled mix, resulting in an album that feels like a cheap imitation—not only of its more obvious 80s influences (like Springsteen or Petty), but of Ryan Adams himself. So what have I been listening to instead? Aside from some killer EPs by Middle Kids and Maggie Rogers, lots of contemplative songcraft from the likes of Spoon (pictured above), Laura Marling, Leif Vollebekk, and Rose Elinor Dougall. Continue reading

The Projects: The Vintage Collector, Vol. 5

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By Spencer Davis. Time to pick back up where we left off with The Vintage Collector, our continuing series on the overlooked throwback records you need to add to your vinyl (or digital) collection. This edition highlights a team-up of jazz titans, plus some innovative punk pioneers, a progressive French provocateur, a delta blues legend, and a classic rock name you might not know—but ought to sound plenty familiar. Continue reading

The Critic: S&N’s 2017 Oscar Picks

 
By Spencer Davis. In a lot of ways, this year’s Oscars figure to tease out the divide in taste that I examined in my Best of 2016 list: between movies that focus on grand visual spectacle and ones that prefer a more intimate, character-based approach. The battle between La La Land and Moonlight is one that is largely subjective, asking you to choose between films that are so different in their end goals that meaningful comparison is impossible. Which one you choose says more about the person you are than it does about the respective merits of the two films. And whichever film ends up taking home the Oscar won’t truly have claim to being the “best picture” in the long run; it will just be the one that struck the right nerve at this particular moment in time. Continue reading